SIMON PILLING
My business deals in fine Japanese Art and specialises in urushi (Japanese lacquer) – from Japan’s pre-modern period through to the 21st-century. Particular emphasis is placed on 20th-century artistic development and the work of contemporary artists, whose dedication ensures the continuation of Japan’s quintessential lacquer arts.
Simon Pilling East Asian Art & Interiors PO Box 834 Rickmansworth WD3 0RA
Simon Pilling Phone +44 (0)7946 577303 Email simon@simonpilling.co.uk Website www.simonpilling.co.uk
20th ANNIVERSARY: the magic of lacquer.
For 20 years I have studied and exhibited artworks produced using Japanese lacquer, urushi. Over that time I have met dedicated artists who are working today, and found modern and contemporary pieces, celebrating artistic continuity in this quintessential Japanese artform.
Urushi’s production processes are so time-consuming and demanding that it can be hard to appreciate the amount of work that goes into producing a single piece of fine lacquer. In my exhibition can be seen art that exemplifies the best of that achievement. Most familiar is perhaps work in the gold makie technique – creating designs through the sprinkling and polishing of metallic powders on to a lacquer ground. Other works complement that technique through the addition of exquisite shell inlays, while, for some artists, the pieces are created through the carving of lacquer. Finally, we see lacquer used as ‘trompe-l’oeil’, creating works that play with our senses in the imitation of other materials such as metal and leather.
I invite you to join me in the admiration of these amazing artworks.
During Asian Art London, 1st – 5th November, exhibiting at: St. George Street Gallery, Ground Floor, Sotheby’s, 34-35 New Bond St London W1A 2AA
Opening Hours: Saturday 1st and Sunday 2nd November: 12.00-17.00; Monday 3rd November: 11.00 – 20.00; Tuesday 4th and Wednesday 5th November: 11.00 -18.30
DAWN CLOUD, Gyoun
by HATTORI Shunsho
(1943 – 2018)
Heisei period, around 2000
Gold and coloured lacquers, silver leaf and mother-of-pearl inlays, yogai
18.1 x 18.1 x 16 (h) cm.
Signed. Sealed wrapping cloth. Signed and sealed tomobako
ETERNITY, Haruka,
by MATSUMOTO Tatsuya (b.1961)
Heisei period, 2020
Carved coloured lacquers, choshitsu
29.3 x 12.8 x 17.1 (h) cm.
Signed. Signed and sealed tomobako
ICARUS
by SASAKI Gakuto (b. 1983)
Heisei period, 2017
Dry lacquer form, kanshitsu, with innovative lacquer finishes, kawarinuri
24.5 x 18 x 13 (h) cm.
Sealed. Sealed wrapping cloth. Signed and sealed tomobako
MIRAGE II
by SASAKI Gakuto (b. 1983)
Heisei period, 2021
Dry lacquer form, kanshitsu, with innovative lacquer finishes, kawarinuri
31 x 16 x 7.5 (h) cm.
Sealed. Sealed wrapping cloth. Signed and sealed tomobako
ORNAMENTAL BOX
by YAMADA Rakuzen II (1915 –? )
Showa period, 1950s/60s
Gold and coloured lacquers with ceramic inlays
21.3 x 33.5 x 16.7 (h) cm.
Signed. Signed and sealed tomobako
INCENSE TRAY
kobon
by YOSHIDA Baido
(1896 -1986)
Taisho/early Showa period, 1920s/30s
Carved red lacquer, tsuishu
39.5 x 15.1 x 3 (h) cm.
Original silk pouch
Signed. Signed and sealed lacquered tomobako
WRITING BOX
suzuribako
by KUDO Takashi
(b. 1946)
Heisei period, 2004
Gold makie, mother-of-pearl & eggshell inlays
26.3 x 22.2 x 4.3 (h) cm.
Signed. Signed & sealed tomobako